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Okinawan Karate Conditioning Methods
Hojo undo is supplementary exercises where one uses
various implements and aids to encourage and develop ambidextrous
physical strength, stamina, muscle co-ordination, speed and posture.
Hojo undo is not practiced merely for the development of physical
strength, but rather it has many other benefits associated with its
consistent practice and logical approach.
There are various implements that should all be used to aid your all
round development. The benefits of this type of training are enormous,
however they have to be practiced consistently and correctly. Always
check, before and after practice, that your implements are in good
condition and clean. Also put everything that you use back in the
correct place afterwards. Use the implements in an area that will
cause no harm to yourself and others around you. Work according to
you limits and whilst you must push yourself, do not overdo your practice.
Listen to your body and if you are in pain then stop or cut back on
the number of reps.
Do not use implements that are far too heavy for you, start off light
and build up to a heavier resistance when you feel comfortable. Ensure
that your posture is not compromised when using the implements. When
lifting up equipment, eg. chi-shi, bend your knees, drop your hips
and then rise with the implement well gripped. Bad posture will affect
your knees, back and hips.
Makiwara striking board
Incorrect makiwara training can cause great physiological damage to
your hands and health in general. It is a common misconception that
the aims of makiwara training is to produce large callused knuckles
which are impervious to impact. These physical ‘trophies’
are supposed to be indicators of strength and power. This is an incorrect
perception! Whilst makiwara training can produce callused knuckles
that could sustain tremendous impact and cause great damage, it is
merely a by-product of the training itself and not the object.
There is much more to this method of training than the mere physical
condition of one’s hands. The makiwara is as old as karate itself,
and is primarily an Okinawan training tool that was imported to mainland
Japan by Okinawan masters who were responsible for introducing their
art of ‘Okinawa Te’ (Okinawan hand).
Gichin Funakoshi, the father of Shotokan Karate, in his biography,
clearly states that "I think I am in no way exaggerating when
I say that practice with the makiwara is the keystone in the creation
of strong weapons."
Choku Motobu, a famous Okinawan karate-ka who was renowned for his
fighting ability, had this to say about the makiwara, "Makiwara
is a vital piece of equipment for a karate student to exercise his
skill." It is not un-common, on Okinawa, to find makiwara in
peoples backyards, and to hear the pounding of a makiwara. To a karate-ka
wishing to develop into a complete martial artist, makiwara training
in vital and absolutely necessary. sage-makiwara (hanging makiwara)
(Shinjibukan)sensei Onaga Yoshimitsu "The practice of ‘fresh
air’ punching only, never gives one the true feeling of actually
striking or punching and opponent. This type of training also encourages
bad striking and punching habits as there is no measure between your
technique and end-result."
Our heads are made up of bones and cartilage and is mostly hard and
solid, similar to a standing makiwara (tachi makiwara) . Therefore
it is imperative that one’s hands are conditioned to resist
the impact otherwise the first strike to your opponents’ head
could damage the bones in your hands or wrist. The makiwara not only
aids in strengthening the hands and arms, but it also helps strengthen
one’s stance and coordinating one’s breathing. Punching
‘fresh air’ does not cover all these aspects.
The are two types of makiwara, the tachi-makiwara and the age-makiwara.
The most common version of the makiwara is the standing makiwara (tachi
makiwara). However, there are also two types of standing makiwara:
(a) a flat wooden post extending up from the ground with a pad (or
straw wrap-around) on the top. This makiwara is struck from the front
only.
(b) The other type of standing makiwara is constructed of a round
pole which is set into the ground as well. Straw padding is wound
around the pole, and it can be hit from all sides.
Chishi weighted lever Chi-shi training is also extremely
vital to okinawan karate. It should be used side by side with the
practice of Sanchin and Naifanchi kata. Correct use of the chi-shi
will improve muscle tone, strength in the fingers, hands, arms and
chest (amongst many other parts of the body), however these are only
the external benefits. The ligaments and cartilage of the wrist, elbows
and shoulder joints will also benefit from this form of training.
as incorrect use will definitely cause great damage, which could become
permanent. Jerky movements and using too heavy a chi-shi can contribute
to this disaster.
Good posture and correct techniques are important, and should never
be sacrificed for an increased number of repetition. The shoulders
should be kept on a horizontal plane despite the weight being asserted
to one side. I often practice with the chi-shi using shiko-dachi.
This helps me keep the hips low thereby aiding my balance. The movements
should be performed in a deliberate and slowish way.
What might not be apparent when watching a person using the chi-shi,
is the strong grip required in the wrist and hands. Okinawan karate
relies heavily on gripping, grabbing and tearing techniques, therefore
the necessity for good strength in the arms, wrist, hands and fingers.
At the completion of a movement the grip should be tightened, focused
and sustained for a short while. This grip/release grip action will
stimulate the muscles of the arms, wrist, hands and fingers. When
moving the chi-shi to different angles, focus that grip at those angles
as well as this will improve you grip even at unusual angles and directions.
Sashi weights Sashi, hand held weights used during
blocking and striking practice. Traditionally sashi is made of stone.
A pair of 6-10 pound dumb-bells serve the same purpose. This exercise
is very good for developing arm and shoulder strength.
Kami gripping jar As mentioned previously, okinawan karate
relies heavily on gripping, grabbing and tearing techniques, and another
device that is wonderful in these aspects in the kami, or gripping
jar. Using this implement while stepping in Sanchin, Zenkutsu, Shiko
or Neko Ashi Dachi also assists the lower body and posture. The lip
of the jar is gripped with all the fingers and the thumb is actually
positioned underneath the lip (tip of thumb pointing backwards in
your direction).
A good exercise is to step in Sanchin dachi, root yourself then list
the kami in front of you until it is horizontal to the ground, hold
it out there then roll the wrist around turning the kami around, return
the wrist to the original position then slowly bring it down to your
side, then step forward and repeat with the other hand. As with the
chi-shi all movements should be done with a deliberate movement (muchimi)
and not with jerky movements. Jars are filled with sand or water.
Tetsu Iron clogs These are iron clogs, used to strengthen
kicking techniques. The Tetsu-geta or iron sandals, for leg strength
and kicking. (Much better for foot strength than modern ankle weights.
The foot actually must grip the sandal, and the weight is at the far
extremity of the limb, adding to the difficulty of the device. Because
of this, fast kicking, which would be dangerous to the joints if using
ankle weights, is not possible, and therefore the use of the tetsu-geta
is preferred to the modern devices.)
Makiage kiguwrist roller This is a wrist roller, a wooden handle with
a weight hung in the center on a rope. You twist the handle and wrap
the rope onto it, raising and lowering the weight, and strengthening
the wrists and grip.
Yari bako This is just a box or bowl filled with sand, beans,
gravel or similar material. Fingers are thrust into it to toughen
the hands.
Sources used:The Southern African Okinawa Goju Ryu Karete-do Jundokan
Kyokai - web site
Article - Supplementary Weight Training by sensei John Porta &
Jack McCabe
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